“Rosie Aldridge has a mezzo voice full of colour and mischief, and a presence which ensures we don’t take our eyes off her whenever she’s on stage.”
The Independent

“Rosie Aldridge excels in multiple supporting roles!”
The Daily Telegraph

“Rosie Aldridge sang the love songs with the knowing sense of the irony that Stravinsky built into them.”
The Times

“The standout is Rosie Aldridge, wonderfully flouncy and boisterous, as the bearded lady Baba the Turk.”
The Times

“… but it was mezzo-soprano Rosie Aldridge’s heart-melting rendition of Se tu m’ami (If you love me) that stole the show.”
The Daily Telegraph

“Rosie Aldridge was magnificent in her three contrasting roles, approaching every note with gusto!”
Limelight Magazine

“Rosie Aldridge was consistently impressive.”
Fiona Maddocks, The Guardian

“Rosie Aldridge staked triumphant claim on a new Fach as a passionate Composer, producing streams of trenchant, smoky-tinged tone and articulating her words with old-school precision!”
Opera Magazine

“Rosie Aldridge was on terrific form and gave us a strongly sung and finely dramatic performance. In a musically strong evening, for me Aldridge gave us some of the finest Handel singing of the evening.”
Robert Hugill, Planet Hugill

“Vivid cameos especially from… Rosie Aldridge as Aksinya.”
Opera Magazine

“Rosie Aldridge, the most accomplished of the cast and the finest actress.”
Andrew H King – Bachtrack

“Rosie Aldridge showed herself to be one of the most gifted Handelians… Her demeanour onstage meant that she created a believable masculine persona which is no mean feat.”
Robert Hugill, mvdaily

“Rosie Aldridge was magnificent, from her initial drunken entry in ‘The Tunning of Elinor Rumming’, to the myriad emotions of the long Jane Scroop movement, this was a singer relishing every one of the opportunities given her, communicating her characterisations and various moods with no little artistry – and dead in tune.”
Robert Matthew Walker, Classical Source

“Voluptuous Rosie Aldridge as Hippolyta: an Amazon indeed, with a rich voice to match!”
Alexander Campbell, Classical Source

“Rosie Aldridge’s Florence Pike was superb, a Lady Billows in waiting, I suggest.”
Mark Pullinger, Opera Britannia