“Around them are a host of exceptional actor-singers playing the best cameo roles of their careers, including: Rosie Aldridge’s obsessively prying Mrs Sedley.”
The Times

“John Tomlinson… proves a good foil to Rosie Aldridge’s grandly sung Mrs Sedley, every note and word in place.”
Limelight Magazine

“Rosie Aldridge with a brilliant cameo of the busybody and amateur crime sleuth Mrs Sedley, dressed and made up to the spitting image of Angela Lansbury in Murder, She Wrote.”
Bachtrack

“Vocally, Rosie Aldridge masters The Great Witch 101: the timbres of dissimulation, furious high notes, malicious bursts of laughters: every note saturated with evil ulterior motives. A terrific performance.”
Reutlinger General-Anzeiger

“As the witch, Rosie Aldridge delivers an excellent portrait of a psychopathic narcissist: dazzling, fascinating and completely devoid of empathy.”

“Rosie Aldridge has completely grown into the role of the witch, she is so slippery that you no longer know whether she is evil herself or just part of an inhuman system.”
Stuttgarter-Nachrichten

“As expected, Rosie Aldridge cleans up as the witch.”
Münchner Merkur

“Above all, Rosie Aldridge delivers a spot on role portrait.”
Südkurier Konstanz

“As The Witch, the experienced Rosie Aldridge won over the audience with radiant top notes.”
Oper International

“It was Rosie Aldridge as Baba the Turk who stole the show. A genuine singing actor, she provided the complete package of humour, pathos and forgiveness, bringing dignity to a role whose (misogynistic, racist) “joke” in present times has worn pretty win!”
Opera Magazine

“Rosie Aldridge has a mezzo voice full of colour and mischief, and a presence which ensures we don’t take our eyes off her whenever she’s on stage.”
The Independent

“Rosie Aldridge excels in multiple supporting roles!”
The Daily Telegraph

“Rosie Aldridge sang the love songs with the knowing sense of the irony that Stravinsky built into them.”
The Times

“The standout is Rosie Aldridge, wonderfully flouncy and boisterous, as the bearded lady Baba the Turk.”
The Times

“… but it was mezzo-soprano Rosie Aldridge’s heart-melting rendition of Se tu m’ami (If you love me) that stole the show.”
The Daily Telegraph

“Rosie Aldridge was magnificent in her three contrasting roles, approaching every note with gusto!”
Limelight Magazine

“Rosie Aldridge was consistently impressive.”
Fiona Maddocks, The Guardian

“Rosie Aldridge staked triumphant claim on a new Fach as a passionate Composer, producing streams of trenchant, smoky-tinged tone and articulating her words with old-school precision!”
Opera Magazine

“Rosie Aldridge was on terrific form and gave us a strongly sung and finely dramatic performance. In a musically strong evening, for me Aldridge gave us some of the finest Handel singing of the evening.”
Robert Hugill, Planet Hugill

“Vivid cameos especially from… Rosie Aldridge as Aksinya.”
Opera Magazine

“Rosie Aldridge, the most accomplished of the cast and the finest actress.”
Andrew H King – Bachtrack

“Rosie Aldridge showed herself to be one of the most gifted Handelians… Her demeanour onstage meant that she created a believable masculine persona which is no mean feat.”
Robert Hugill, mvdaily

“Rosie Aldridge was magnificent, from her initial drunken entry in ‘The Tunning of Elinor Rumming’, to the myriad emotions of the long Jane Scroop movement, this was a singer relishing every one of the opportunities given her, communicating her characterisations and various moods with no little artistry – and dead in tune.”
Robert Matthew Walker, Classical Source

“Voluptuous Rosie Aldridge as Hippolyta: an Amazon indeed, with a rich voice to match!”
Alexander Campbell, Classical Source

“Rosie Aldridge’s Florence Pike was superb, a Lady Billows in waiting, I suggest.”
Mark Pullinger, Opera Britannia